- GiD
- Leeds College of Art, West Yorkshire, United Kingdom
- GiD things is a blogspot for students studying the Graphics, Illustration and Digital Media specialism on the Leeds College of Art Foundation Diploma in Art & Design course. This blog exists to highlight contemporary designers and their practises which are relevant to ongoing studies and topics investigated throughout the course.
Tags
- illustration (26)
- animation (22)
- Typography (17)
- Photography (11)
- advertising (11)
- design (11)
- graphics (9)
- paper (5)
- print (5)
- character (4)
- film (4)
- moving image (4)
- virals (4)
- Packaging (3)
- card (3)
- fashion photography (3)
- interactive (3)
- logos (3)
- museums and galleries (3)
- music video (3)
- vis com (3)
- Documentary Photography (2)
- Letterpress (2)
- books (2)
- collage (2)
- leeds (2)
- materials (2)
- narrative (2)
- papercut (2)
- planning (2)
- Aardman (1)
- Berlin (1)
- Flickbooks (1)
- Leeds Mag (1)
- YSP (1)
- blog (1)
- boxes (1)
- cities (1)
- editorial (1)
- figure (1)
- flashmob (1)
- flipbook (1)
- mathematics (1)
- online magazine (1)
- paint (1)
- puppetry (1)
- social networking (1)
- stitchwork (1)
- story board (1)
- website (1)
Tuesday, 30 March 2010
Information is beautiful
We've got a new book in the library called "Information is Beautiful" I recommend you all have a look at it. If the book's on hire to someone else though you can visit the weblog here www.informationisbeautiful.net
Also by the same designer:
Monday, 29 March 2010
Bonafide Mag
Thursday, 25 March 2010
Some great great packaging
Saturday, 13 March 2010
eggwatchers.com
Thursday, 11 March 2010
Lizzie Stewart
Lizzie Stewart is an illustrator from Edinburgh and is currently showing some work up at the Blenheim building. I thoroughly recommend you go up and see it.
Check out her work at http://www.abouttoday.co.uk/
Sunday, 7 March 2010
Marmite
Taken from dieline.com
Core Design has created an exclusive run of 200 hand-crafted jars for the launch of new extra-matured Marmite ‘XO’. A brand iconic in the UK, which has remained virtually unchanged for decades. The new flavour variant has been developed through an innovative social media campaign, creatively directed by The Core.
Friday, 5 March 2010
Thursday, 4 March 2010
Why I love...
...Edward Tufte
Paul MayMonday November 8, 2004
The Guardian
Yale professor Edward Tufte takes dull data and turns it into magical and meaningful pictures. Forget those clunky bars and pizza slices you were taught in school, Tufte produces such inventive and even decorative graphs it's enough to have you weeping over your squared paper. And each one helps us understand the world a bit better, or alerts us to the crimes that can be committed when the people with the numbers seek to confuse the have-nots.Tufte exposes the hidden dangers of misrepresented numbers: how graphs can kill. In his book Visual Explanations he shows how inept graphing of data about the space shuttle paved the way for the Challenger disaster. Throw out the engineer's pretty slides and substitute Tufte's simple curve, and mental warning lights flash. It's not rocket science, after all.
As well as being a provocative writer and teacher, Tufte is an accomplished sculptor. The New York Times has called him "the Leonardo da Vinci of data", and they don't mean the airport. An academic concerned to influence how the real world works, he's happy to confront graphic evil wherever he finds it. His short monograph The Cognitive Style of PowerPoint lays bare the mind-rotting influence of slideware and what it's doing for the quality of communication in business, and increasingly in schools.
Tufte's own illustrations are works of art in themselves, and the discussions in the "Ask E.T." section of his website (www.edwardtufte.com) contain some of the liveliest and most thought-provoking material around. Visual information design has an impact everywhere, from road signs to the US's famously confusing "butterfly" ballot papers. Seen through Tufte's eyes, the information blizzard we live in resolves into coherent messages, granting those of us who are number-blind an extra sense and the courage to question the experts.
Measuring Type
A selection of the most commonly used typefaces were compared for how economical they are with the amount of ink which they use at the same point size. Large scale renditions of the typefaces were drawn out with ballpoint pens, allowing the remaining ink levels to display the ink efficiency of each typeface.
Continuations on a theme
The Virtual Revolution
Links
- http://www.adbusters.org
- http://www.dandad.org
- http://www.designmuseum.org
- http://www.ica.org
- http://www.lumen.net
- http://www.lust.nl
- http://www.magmabooks.com
- http://www.metahaven.net
- http://www.mongrelx.org
- http://www.neasdencontrolcentre.com
- http://www.o-r-g.com
- http://www.publishedart.com.au
- http://www.wefeelfine.org
- http://www.westerplatte.net
- http://www.yourcreativefuture.com
- http://yayeveryday.com